“He tries to move past the bodyguard,” the stage directions note. The script also suggests that Madonna stole her iconic look from another fixture on the downtown club scene, a character named “Bianca Stonewell.”Īnd as her star rises, the screenplay suggests that Madonna ignores her then-producer and boyfriend, Jellybean Benitez, to cozy up to Prince. In one scene, she’s depicted shoplifting in a drugstore, “stashing a toothbrush and some toothpaste in her backpack.” ![]() But while there is plenty of material in Blond Ambition to which the Material Girl might object, calling it defamatory would be a legal stretch. The resulting film - a Madonna biopic without any Madonna music in it - greatly runs the risk of coming off like a big-budget Lifetime movie in the vein of Britney Ever After.Ī second and far less promising tack would be to go after the script for defamation. For Universal to include these songs, they would need to secure a sync license for the master recording (if they use the originals) and the music publishing rights.Įven if Madonna holds none of these rights herself, one prominent music lawyer estimates that “given her stature in the industry, she probably has an approval right” over the songs and could prevent them from use in Blond Ambition. It certainly won’t be the first unauthorized biography to make it to the screen, but other recent notable instances - The Queen, The Social Network, Foxcatcher - were not reliant on a highly recognizable musical catalogue.įiguring heavily into Blond Ambition‘s plot are such early Madonna hits as “Burning Up,” “Everybody,” “Borderline,” “Lucky Star” and “Holiday” - all of them hit singles off her self-titled debut album from 1983. For Universal, it could wind up being a headache not worth pursuing. If Blond Ambition does get greenlighted, it will have to survive the wrath of Madonna. Madonna Appears to Criticize Unauthorized Biopic: "Only I Can Tell My Story" (Perhaps that is why Madonna later deleted the second Instagram post.) But Hollander took that exchange directly from the actual American Bandstand broadcast, as evidenced by this YouTube video. In fact, I went to University of Michigan,” Madonna counters. “The writer Elyse Hollander should write for the tabloids.”Īs an example of the script’s inaccuracies, Madonna singled out a line of dialogue on the first page, in which Madonna tells Dick Clark in an interview on American Bandstand, “I was born in Detroit. “Why would Universal Studios want to make a movie about me based on a script that is all lies?” she writes. On Wednesday, a copy of the script now in hand, her criticism grew more pointed and personal. Anyone else who tries is a charlatan and a fool.” In the first, posted just hours after The Hollywood Reporter broke the news of the project on Tuesday, she writes, “Nobody knows what I know and what I have seen. The singer has posted several Instagram messages denouncing the project. ![]() Still, no director has yet been attached and the film is not yet an official green light.ĭefinitely not on board, however, is Madonna herself. Compare Standard and Premium Digital here.Īny changes made can be done at any time and will become effective at the end of the trial period, allowing you to retain full access for 4 weeks, even if you downgrade or cancel.The script impressed Universal enough to snatch up the property, with two major producers - Michael De Luca and Brett Ratner - attached. You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial. If you do nothing, you will be auto-enrolled in our premium digital monthly subscription plan and retain complete access for $69 per month.įor cost savings, you can change your plan at any time online in the “Settings & Account” section. ![]() ![]() For a full comparison of Standard and Premium Digital, click here.Ĭhange the plan you will roll onto at any time during your trial by visiting the “Settings & Account” section. Premium Digital includes access to our premier business column, Lex, as well as 15 curated newsletters covering key business themes with original, in-depth reporting. Standard Digital includes access to a wealth of global news, analysis and expert opinion. During your trial you will have complete digital access to FT.com with everything in both of our Standard Digital and Premium Digital packages.
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